Logic carries his weight on every track, even peppering the potentially sleepy Wiz Khalifa feature “Indica Badu” with some flashy double-time flourishes. The entire tape is magnitudes fleeter, lighter on its toes, and more entertaining than any of his bloated, overambitious albums have been. He closes the chest-beating “Yuck” with the mixtape’s greatest flex, a voicemail from Elton John, who calls to propose a collaboration.
On “Contra,” he tames a ferocious trap beat, and he parries his way through “44 More” with a capable impression of beast-mode Kendrick.
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He stacks the tape with polished, dramatic productions and understands how to use his voice against them. He’s good at this stuff, though-much better at it than he is at preachy message rap. Especially for those who only know Logic from his PG singles, it’s deeply weird hearing the “I don’t wanna die” guy rap about crucifying pussy in that same innocent, puppy-dog voice.
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Once you’ve gone full Macklemore, you can’t walk all that sanctimony back. Yet while Logic is far from the first rapper to have it both ways-and far from the first rapper to put out a “mixtape” on a major label and have it available on all streaming platforms-his task is a particularly tall order. “I want some shit I can turn up.” It’s a wise moment of self-effacement that cleans the slate for Logic to actually get a little loose.īobby Tarantino II follows in the long tradition of a mixtape as a branding exercise, where artists try to shore up the love of die-hard fans and atone for the A&R-directed sins of their commercial albums, be they treacly R&B features or awkward EDM crossovers. “I’m not in the mood for a message about how I can be whatever I want or, like, oooohhh, equality,” Rick rants. On the mixtape’s opening sketch, Adult Swim’s Rick and Morty make a distinction between “Mixtape Logic” and “Album Logic,” while poking some light fun at the rapper’s more sanctimonious tendencies. So, on his boisterous, concertedly fun mixtape Bobby Tarantino II, Logic is out to prove he’s so more than just an advocate for entirely uncontroversial causes. None of the coaches turned their chairs, eliminating Logic from the competition.But Logic also recognizes the danger in being typecast as the “suicide song” guy. Blind Auditionįor Logic's audition in Episode 202, he performed his song, "Nikki". It also landed at number one on the Billboard 200, selling 119,000 equivalent album units in the first week. It sold 247,000 album-equivalent units, of which 196,000 were pure album sales. The album spawned his first international top 10 single as a lead artist, "1-80", which reached number three on the Billboard Hot 100. In March 2018, Logic released his sixth mixtape, Bobby Tarantino II, a sequel to his 2016 mixtape. Logic's third studio album Everybody (2017) was his first to debut at number one in the U.S on the billboard 200.
Logic released his fifth mixtape, Bobby Tarantino, in 2016. Also certified gold in the U.S., it sold over 185,000 copies. Logic's second studio album The Incredible True Story was released in November 2015, receiving mostly positive reviews from critics. Billboard 200, eventually becoming certified gold by the Recording Industry Association of America (RIAA) and having sold more than 171,000 copies. He later released his debut studio album Under Pressure in October 2014, which debuted at number four on the U.S. His fourth mixtape, Young Sinatra: Welcome to Forever (2013), was released to critical acclaim, and allowed Logic to secure a recording contract with Def Jam Recordings. He signed with Visionary Music Group, before releasing three more mixtapes over three years. Raised in Gaithersburg, Maryland, Logic developed an interest in music as a teenager, and ventured into a musical career in early 2009 releasing Logic: The Mixtape and a mixtape titled Young, Broke & Infamous in 2010.
Logic is an American rapper, singer, songwriter, and record producer. He was eliminated in the Blind Auditions. Logic was a contestant on Season 2 of JayVoice.
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